GOD IS DAD. That was the title of Sarah Lucas's last show in New York, in which the pun-prone artist assembled an array of sculptures constructed from cast concrete forms, tacky beige nylon stockings, and random metal objects. These typically abject art pieces fit right into the body of work Lucas has been building since the early 1990s from apparently banal, everyday materials...(展开全部)

The Jeff Wall Catalogue Raisonné traces the gradual evolution of Wall’s pictorial concept. In an allusion to Charles Baudelaire’s dictum on Manet, Wall describes his work as the “painting of modern life”. Wall’s color photographs consist of large-format transparencies, mounted in aluminium boxes and illuminated from behind. Since 1996, the artist has also produced large-format ...(展开全部)

The Jeff Wall Catalogue Raisonné traces the gradual evolution of Wall’s pictorial concept. In an allusion to Charles Baudelaire’s dictum on Manet, Wall describes his work as the “painting of modern life”. Wall’s color photographs consist of large-format transparencies, mounted in aluminium boxes and illuminated from behind. Since 1996, the artist has also produced large-format ...(展开全部)

"Did Mama sing every day?" Caleb asks his sister Anna. "Every-single-day," she answers. "Papa sang, too." Their mother died the day after Caleb was born. Their house on the prairie is quiet now, and Papa doesn't sing anymore. Then Papa puts an ad in the paper, asking for a wife, and he receives a letter from one Sarah Elisabeth Wheaton, of Maine. Papa, Anna, and Caleb write bac...(展开全部)

"Did Mama sing every day?" Caleb asks his sister Anna. "Every-single-day," she answers. "Papa sang, too." Their mother died the day after Caleb was born. Their house on the prairie is quiet now, and Papa doesn't sing anymore. Then Papa puts an ad in the paper, asking for a wife, and he receives a letter from one Sarah Elisabeth Wheaton, of Maine. Papa, Anna, and Caleb write bac...(展开全部)

"Did Mama sing every day?" Caleb asks his sister Anna. "Every-single-day," she answers. "Papa sang, too." Their mother died the day after Caleb was born. Their house on the prairie is quiet now, and Papa doesn't sing anymore. Then Papa puts an ad in the paper, asking for a wife, and he receives a letter from one Sarah Elisabeth Wheaton, of Maine. Papa, Anna, and Caleb write bac...(展开全部)

"Did Mama sing every day?" Caleb asks his sister Anna. "Every-single-day," she answers. "Papa sang, too." Their mother died the day after Caleb was born. Their house on the prairie is quiet now, and Papa doesn't sing anymore. Then Papa puts an ad in the paper, asking for a wife, and he receives a letter from one Sarah Elisabeth Wheaton, of Maine. Papa, Anna, and Caleb write bac...(展开全部)

Published in association with the Whitney Museum of American Art In the mid-1960s, at the height of his creative powers, Andy Warhol produced hundreds of three-minute cinematic portraits, called "Screen Tests." Although rarely screened now, these short films captured a virtual who's who of the avant-garde, including such cultural icons as Edie Sedgwick, Bob Dylan, Salvador Da...(展开全部)